I was lucky enough to catch Grayson Perry: Delusions of Grandeur at the Wallace Collection — a truly powerful exhibition that lingers in the mind long after leaving the gallery.
This landmark show features over 40 new works by the Turner Prize-winning British artist, including ceramics, tapestries, and works on paper. It’s the largest contemporary exhibition ever hosted by the Wallace Collection, and Perry’s pieces are thoughtfully displayed alongside the museum’s historic treasures — creating a fascinating dialogue between past and present.
The show delves into the nature of making, questioning the drive for perfectionism, and placing handcrafted objects next to works created using digital technology. As an artist working in both traditional and innovative materials, I found this tension between process and product especially thought-provoking. Perry invites us to reflect on what constitutes authenticity and how artists position themselves in a rapidly evolving cultural landscape.
The exhibition also highlights ‘outsider art’ with works by Madge Gill and Aloïse Corbaz. Gill’s inclusion is particularly poignant, as she exhibited at the Wallace Collection back in 1942. Her presence in the show adds a personal, historical dimension that clearly resonates with Perry’s own journey — including reflections on his childhood and the boundaries of belonging in the art world.
For artists and collectors alike, this exhibition is a reminder of the power of craft, the role of narrative, and the freedom that comes from embracing imperfection. It’s a bold and deeply human show — well worth a visit.
Grayson Perry, Delusions of Grandeur, Wallace Collection London, Victoria Miro Gallery, British contemporary artists, London art exhibitions, outsider artists UK, Madge Gill, ceramic art, textile art, Helen Brough artist, London gallery blog, contemporary art blog UK